I had the pleasure of creating some light-hearted illustrations to accompany the work of art historian Alex Stumm in his recent interview for Pulp #52 (Pulp Architecture). In his book “Architectural Concepts of Reconstruction” (translated from Architektonische Konzepte der Rekonstruktion), he discusses five categories of ‘Reconstruction’ and the different ways architects have approached renovation of, additions to, or for lack of better word, reconstructing a ruin. While I am still teetering between drawing a connection between the large urban scale to the micro detail scale, another spectrum of
thought came to light from this exercise. That spectrum being ‘time’, the scale of ruin to rebuild. There are a lot of things to explore not just in historical architecture still standing today, but also the added layer of the invisible ruin. But let me move forward a little bit and speak to the buildings that are still physically with us today. Rather, what piques my interest is how architects address the dichotomy of working with both new and old buildings.
New building + old building = ?
Downtown Toronto is ripe with reconstructions. UofT in particular, is quite special in that it has such a historically rich campus of old buildings yet also has an alarmingly large number of renovations and additions to said historical buildings. (A personal observation. It happens all over the city obviously, but I happen to notice it more within the university) It seems oddly fitting then, that my last post discussed the new School of Architecture at UofT as it is quite a fine example of some form of reconstruction. While the original home of Knox College and then the Connaught Laboratories, the new building at 1 Spadina Crescent which opened for the 2017-2018 school year has been transformed into the new home of the John H. Daniels Faculty of Architecture, Landscape and Design, with a bright new addition designed by architects Nader Tehrani and Katherine Faulkner of New York based firm NADAAA.
What are the design strategies, principals, approaches, etc. involved with additions or renovations, particularly with a historically significant building? What are the details that exist in that intersection between the old and the new?
Test 003 will explore this new spectrum to my AR/tifact collection